Bloody art

In the movie Castaway, Chuck Noland, played by actor Tom Hanks, creates an imaginary companion from a Wilson soccer ball, by painting his own bloody handprint into the shape of a face, and then naming him Wilson.

Chuck’s traumatized psyche exploits the resources immediately available to him, to restore some semblance of normalcy and emotional balance, giving him the wherewithal to survive his predicament. The soccer ball and Chuck’s own blood were the most accessible mediums for creating his temporary, anthropomorphic companion – a split off portion of his own psyche, projected onto a red faced soccer ball. If something more human appearing had been available, such as a puppet or doll, he most likely would have chosen that over the bloody soccer ball.

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The validation game

In the era of social media, we are packed together like a billion sardines competing for visibility and validation. There is little space to individually define and express ourselves, without a mob of discontents taking notice and attempting to modify what we want to believe about ourselves and our world.

To be yourself, often comes at the “imagined” expense of how others define or think of themselves, and so these “others” fight back to regain or preserve what they think is being lost or threatened by your existence, including their cherished delusions and comfortable lies. Merely expressing your opinion, will cause “some” virtual strangers to fear being invalidated as to their own opinions and beliefs, and so they will employ any means possible to invalidate you first, or worse.

© 2021 David M. Rubin. All rights reserved.